![]() Interestingly, Jaugeon also designed a complimentary sloping roman (often referred to today as an oblique) as an alternative to a true italic**. The designs - also known as the Paris Scientific Type - were engraved on copper by Louis Simmoneau, and then handed to the punchcutter Grandjean (not to be confused with the earlier Granjon of course), who began cutting the type in 1698. One of the committee members, Jacques Jaugeon - at that time better known as a maker of educational board games - in consultation with other members, produced the designs constructed on a 48×48 grid (2,304 squares). The Romain du Roi is often referred to as Grandjean’s type, but the designs were produced by a committee* set up by the French Academy of Science. Remember, this is the Age of the Enlightenment, marked by resistance to tradition, whether that be art, literature, philosophy, religion, whatever so it’s no surprise that this same era should give birth to radically different types. The Romain du Roi marked a significant departure from the former Old Style types and was much less influenced by handwritten letterforms. But today we stand in the cobbled streets of 17th century France Louis XIV is on the throne and Jacques Jaugeon is working on what is now considered to be the first Transitional (or Neoclassical) style typeface, the Romain du Roi or King’s Roman, commissioned by Louis XIV for the Imprimerie Royale in 1692. Today we’ve moved along the time-line to the cusp of the 18th century, the start of a period in history that we now refer to as the The Enlightenment, a time that was to sow the seeds of revolution in France, North America and beyond. In part two we considered the Old Style or Garalde types and also discovered how this era gave birth to the first italic type in 1501. In part one we traveled all the way back to the 15th century to take a closer look at the Humanist or Venetian style types with their distinctive lowercase ‘e’ (remember that sloping crossbar?). Welcome to part three of our Type Terms series. ![]() The classic font has been used by countless authors over the years it’s an excellent choice for any piece of text blog post or letter.For a modern-day transitional typeface, be sure to check out the Brill typeface family. If you’re looking to improve your writing skills, using Garamond is an excellent idea. Chinese also has their own version of the typeface for use in their language. The Garamond typeface also exists for use in North Africa with Arabic and Hebrew language support as well. That includes French, Italian, German, and Spanish. All commonly used Western European languages use the same version of the Garamond font. ![]() Garamond is also available in several different languages. Most modern fonts have a full range of reduction options to make this process as easy as possible for the end user. This is known as reducing variation- and it makes setting type much easier. Over time, printers began tweaking their settings to produce better results. The original printing press used only one size of the paper, which made it much easier to produce consistent results. ![]() Garamond Font FamilyĪnother notable feature of Garamond is its wide range of style options. Essentially, that means you can choose between a traditional or modern look when using Garamond. In fact, nearly all modern typefaces are either serif or sans-serif. The most famous serif typeface is Times New Roman, but there are many others. Serifs are the small parts at the end of characters that give them a finishing touch. That’s because it’s an excellent typeface for both personal and professional use Here you can free download the Garamond font.įirst, let’s cover the obvious- Garamond is a serif typeface. Basically, everyone knows and uses Garamond in some way or another. Most printed materiGaramondals use Garamond it’s even used in classic works of art. It’s one of the most popular serif fonts in history. Garamond Font is a classic typeface from the early days of printing. ![]()
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